The eNotes Blog 7 Women Writers You Should Read for Women’s HistoryMonth

7 Women Writers You Should Read for Women’s HistoryMonth You may have heard of them, or perhaps you’ve been assigned one of their novels or short stories in English class. Required reading aside, these seven women writers all wrote during the last half of the 20th century and offer unique perspectives on topics and issues that are still top of mind for contemporary audiences. Lets look at the women who should be a the top of your reading-for-pleasure list right now. 1. Octavia Butler Though her work is well-known and respected among avid science fiction readers, Octavia Butler has never been mainstream. She wrote about a black woman transported back in time (and against her will) to save a white ancestor in pre-Civil War North America; a race of aliens who are a third gender; and vampire-like people who are polyamorous and discriminated against. Her work is eye-opening and even more relevant today than it was when she wrote it, mostly in the 70s through the early 2000s. Works to read: Dawn and other novels in the Xenogenesis series, 248 pages Kindred†¨, 287 pages Bloodchild and Other Stories†¨,  214 pages 2. Leonora Carrington Carrington has mostly fallen out of modern-day consciousness, but during her life she was recognized as one of the few female surrealist artists and writers during the male-dominated surrealist movement of the 20s and 30s. Her stories are sharp-minded and darkly humorous, especially â€Å"The Debutante,† which turns a critical eye on upper-class society by having a wealthy young woman switch places with a talking hyena. Carrington published several short story collections from the 30s through the 80s and exhibited her artwork throughout the world. Works to read: The Complete Stories of Leonora Carrington†¨, 215 pages 3. Angela Carter Carter is perhaps most known for her short story collection â€Å"The Bloody Chamber† where she reinterpreted classic fairy tales like Beauty and the Beast and Bluebeard through a feminist lens- one of the first female writers to do so. She wrote prolifically throughout the 60s, 70s, and 80s, publishing many novels, short story collections, books of poetry, and works of nonfiction. Works to read: The Bloody Chamber†¨, 128 pages â€Å"Flesh and the Mirror†,  7 pages Nights at the Circus, 295 pages 4. Patricia Highsmith With the 2015 film Carol, based on her novel The Price of Salt, Patricia Highsmith reentered contemporary culture. A novelist and short story writer who published from the 50s to the 90s, Highsmith is perhaps most known as a masterful writer of thrillers, such as Strangers on a Train, which was adapted into a movie by Alfred Hitchcock. Worth reading, even more, is The Price of Salt: its intimate portrayal of the romance between two women, and thoughtful exploration of the nature of love and attraction regardless of gender, was a rarity for the era it was published in. Works to read: The Price of Salt†¨,  276 pages The Talented Mr. Ripley†¨, 320 pages Strangers on a Train†¨, 256 pages 5. Shirley Jackson Many readers may have encountered Jackson’s shocking short story â€Å"The Lottery† in English class or watched the recent Netflix adaptation of her novel The Haunting of Hill House, but her other short stories and novels are also worth exploring. Jackson was masterful at crafting stories that depict the subtle horrors of everyday life, particularly the sometimes oppressive nature of living as a housewife in the 50s and 60s, which is perhaps best portrayed in her short story â€Å"The Good Wife.† Works to read: The Lottery and Other Stories†¨, 302 pages The Haunting of Hill House†¨, 182 pages We Have Always Lived in the Castle†¨, 146 pages 6. Flannery O’Connor While some of O’Connor’s short stories are staples of English classes focused on postmodern work, she isn’t a household name. Yet, her writing, which is preoccupied with the grotesqueness of everyday life, is well worth reading. She often incorporated disability into her work, such as in her story â€Å"Good Country People,† where the main character, Joy, has a prosthetic leg. O’Connor herself had lupus, which led to her early death. Works to read: The Complete Stories†¨, 555 pages The Violent Bear It Away†¨, 256 pages Wise Blood†¨, 256 pages 7. Jean Rhys Anyone who is left unsatisfied with Bertha Mason’s story after reading Jane Eyre should turn to Rhys’s novella Wide Sargasso Sea, which is a prequel of sorts to its Victorian predecessor. From the British West Indies herself, Rhys wrote Wide Sargasso Sea from Bertha’s perspective, giving a voice to a woman silenced by her husband, her family, and her society. From the 20s through the 70s, Rhys published many novels and short story collections, some also inspired by her upbringing in the Caribbean. Works to read: Wide Sargasso Sea†¨, 171 pages Good Morning, Midnight, 159 pages Sleep It off, Lady†¨, 176 pages

Two Things †Branding and Writers Block

Two Things – Branding and Writers Block Of course youre wondering what these two have to do with each other. Actually its more about what they have in common. For the first time in my career, I see writing income sliding to a new level I feel it will not recover from. What Im trying to say is that the effort you put into your writing business last year isnt enough for this year. To make the same income, you have to work harder and smarter. The competition is fierce. Whether you hate traditional or indie matters not anymore because authors on both sides are hurting. Incomes are down. Its harder than ever to be heard and seen, much less read. Why such a morbid post? Look at the title of this post again. Its like youre in a mob. Ever seen that commercial about the little door that data is trying to run through, only to see people pile atop one another unable to get through? Then the advertiser talks about a bigger door that allows all data to go through? Well, were at that stage where the door (the reader) is tiny. Authors are that mob. Only some will get through. Thats why branding is super critical right now. I listen to long-time, mid-list authors complain these days about how their incomes are way down, but they are doing the same thing theyve always done. Thats the problem. They are doing the same thingmarketing some, maybe posting on FB three times a week, thinking what worked in 2005 still works now. You cannot be seen without being different. You cannot be heard without noise, a dfferent kind of noise, because God knows its noisy out there. You need a brand, and when you figure out what it is, then you need to sling it and work it hard. Daily. Yep, daily. Now, that brings us to the other topic: writers block. In this day where Amazon accepts thousands of books per day to its database, you cannot sit back and profess to have writers block. Like your marketing, you need to write daily. Block NEVER stops you from writing. Somewhere in your head it makes you think you cant write, but guess what? Your brain and hands still work . . . so write. With the sea of writers out there writing daily, youll be soon forgotten otherwise. Sorry for the rant, but Im seeing good writers, long-time writers, being run over